Rating: 3.5 out of 5 THE CONJURING: THE LOVER #2

While this issue isn't perfect, there's definitely potential for the Signal here and I'm crossing my fingers that we get an ongoing at some point in the future, as the bones of a long-running story are definitely there. With the introduction of the 'White Market', a super villain auction house that sells weapons to some of DC's biggest antagonists, Duke has a perfect opportunity to stretch his legs with his modus operandi of protecting Gotham when the sun is out.

Rating: 4 out of 5 BATMAN SECRET FILES: THE SIGNAL #1ĭuke Thomas has always been one of the best characters that Scott Snyder and Greg Capullo had created during their original run on Batman, and while his new status quo is simply amazing, the characters he encounters could have used a little work. It does leave us with plenty of questions to be answered later, though, so there's at least the prospect of more answers to come. Unlike the start of the series, however, this finale banks much more heavily on people knowing their ins and outs of both Batman and Fortnite, so if you made it to the end without much additional homework done, the end may not be quite as impactful. It's got humor, romance, heartbreak, and even more twists than expected from a story already brimming with crossovers and guest appearances. The whole idea of the Batman/Fortnite: Zero Point series was imaginative already by fleshing out Fortnite's lore with Batman, but the finale certainly didn't pull any punches either. Rating: 2 out of 5 BATMAN/FORTNITE: ZERO POINT #6 Bringing Batman to account by making him a somewhat realistic character would be a good idea, but a complete take down of the vigilante with issue after issue after issue of kicking him while down is just too much and it's that lack of nuance and forethought that shows itself sharply here. Even with Jorge Jimenez's art, which paired with Tomeu Morey's colors offers up a really energetic and dazzling visual experience this issue, what Tynion is weaving here is just flimsy and full of tiny tears. While Tynion's writing isn't terrible here, there are simply too many threads that he has to weave together. It's this weirdness as well as some strange space between 'Future State,' the current arc, and the 'Fear State' event that Batman #110 finds itself in the center of. No Alfred, no Cave, no fancy tech, and now the actual city completely against him as the villains quite literally are now in control (albeit not the usual villains). Where Gotham's hero was once pretty much unbeatable, always managing to pull out the win by somehow having been ahead of the game from the start, now he couldn't get someone to tell him time in a room full of clocks.

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